There is also the video of the show itself on Vimeo :
I designed this stand for Edinburgh College of Art with sustainability and usability as the core concepts.
Recycled & Recyclable Core
The core components (paper tubes and plastic sheets) are already recycled materials, linked together with paper clips and screws, making it easy to assemble, dismantle and reuse in another configuration. This also leaves the materials clean, free from glue or paint that would end their recycling cycle. The coat hangers are also made out of cardboards, except for the metal hooks and clips obviously.
Taking the concept further, additional storage boxes and decoration of the stand have been made from Graduate Fashion Week 2018 waste, collected on site from skips.
The different heights of the tables make the stand accessible, as well as the shaping the space. This is enhanced by the lightning which brings up the portfolios and creates a unique, warm, boutique atmosphere. The petals have different heights to showcase different length of garments, and also giving every students equal opportunity to showcase their work.
The design was though through to limit the amount of waste & lost raw material to a minimum; every millimetre counts!
The left over of the tubes used to create the hangers have been used to make the ‘heads’ of the mannequins and the lamps are designed using the centre of the petals.
Almost every elements of the stand will be repurposed for next years’ event or donated to local charities at the end of GFW18, and when the time comes, they can be recycled again at a local waste management centre!
Kalico Plastic sheets
UK based company converting waste plastics into colourful, aesthetic boards
100% recycled , 100% recyclable
UK based company
Will be donated to the community garden at the Edinburgh Royal Hospital
EU based companies, local shops
To be reused in the build of 2019 stand
Mark Kobine for your help, advices and sharing pains aux chocolats.
Emily Ford-Halliday & Mal Burkinshaw for the opportunity and trusting me.
Linda Wilson, Juliet Dearden & Claire Ferguson for your support.
Wendy Bruce for your kindness and making everything easy.
Design Informatics for letting me use the studio and workshops.
I am just back from Shanghai, where I had the pleasure and honor to teach Interior Design for 5 weeks at Donghua University representing Edinburgh University. The students have a lot to teach us all over here about passion, hard work and positivity.
It was 5 amazing weeks with my great colleagues and mon amoureux. In our free time we visited lots of galleries (list bellow of some of the best exhibitions I have seen), spend a day walking and riding in Hangzhou around the west Lake and we went for a week end in the mountains. We stayed in xia yan bei village (下岩贝村), hiked 19 peaks (穿岩十九峰), the Hanfei river ( 韩妃江) and dao tuo xue (倒脱靴). And of course had some amazing food: hot pot, dumplings, wonton soups, noodles, Chinese crepes, vegan dishes…
I had the huge honour to go in Shanghai to be a Senior Teaching Fellow Interior Design responsible for representing the work of Edinburgh University in interior design within the context of Donghua University – Shanghai International College of Fashion and Innovation (and the wider MoE of China).
I taught Interior Design from year 1 to 4 the key skills associated with the discipline, giving tutorials, supervised activities and presentations, organised visits and assessed the work of the students, providing feedback at the end of the 5 weeks projects.
I had the pleasure to work with amazing colleagues: Sam Booth, Designer and Founder of Echo Living was my direct colleague in Interior Design (thank You Sam for these two amazing weeks, I feel very lucky of being able to work with you and mostly meeting you and your beautiful values), Emily Ford-Halliday and Elena Tsyplakova from Fashion (thank you too for your kindness and energy) and the all team in Shanghai: Linn, MingJu and Steve (thank you for let us feel welcome and your support).
I was blown away with the standard of the work the students produced, amazed by their determinations, passion and hard work. Thank you all, I am missing working with you, it was a truly exceptional experience.
You can watch and read this short interview of Rachel Simmonds, the teacher I was replacing, to get some insights of what I experienced there.
Swedish designers Siri Bahlenberg and Sofia Bergfeldt have created a lampshade made of ice that slowly melts back into its mould so it can be re-frozen and used again. Encased in an angular block of ice, the Melt and Recreate lamp is illuminated using a combination of LED lights and fibre optics. The LEDs are suspended above the ice and the light that they emit is conducted through the solid mass by the fibre optics – making the potentially lethal combination of water and electricity safe. The light is diffused through the frozen water, giving off a dim glow that gradually becomes brighter as the melted ice drips away.
“In one way it’s a throwaway product because it disappears, but we keep the water so it can be remade,” Siri Bahlenberg and Sofia Bergfeldt told Dezeen. The LEDs and fibre optics are contained within an element that detaches from the metal fixture. This element sits on top of the mould so the water freezes around it, holding it in place. Once solid, the element and its icy shade are clipped back into the conical fixture and connected to the electricity supply.
The lamp’s original mould is placed below the pendant to collect the meltwater, ready to be reused.
“We wanted to create a relationship between the user and product,” said Bahlenberg and Bergfeldt. “For this lamp to have a continuing life, the product has to be reborn and you have to engage with it to make that work.”
“We want to awaken reflection and awareness about the consumption of everyday objects that often are taken for granted,” they added.
It takes 10 hours for the lamp to melt and another 10 hours for it to refreeze – and each casting is different. Depending on the ambient conditions, the ice may be clear or translucent. The dimensions of the plastic mould are designed to fit a standard-sized freezer. Bahlenberg and Bergfeldt designed the light to become a centrepiece for a room. “Just like enjoying a fireplace, the lamp brings a natural element to the home that creates a soothing environment, both visually and with the soft dripping sound,” they said.
” Commissioned by the Center for Strategic and International Studies for their new headquarters in Washington, Sosolimited partnered with Hypersonic Engineering & Design, Plebian Design, and Chris Parlato to design, program, and fabricate one-of-a-kind chandelier. 425 hanging pendants form a map of the world when viewed from below. This map becomes a low-res display for illustrating global data such as GDP growth rate, renewable water resources, and energy consumption.
Each data set is paired with a lighting animation. In addition, CSIS can highlight regions of the map that correspond with international developments or events within the building. The entire system is automated, linking to web-based data to dynamically build animations. By parsing CSIS website, the team can identify countries in the news and highlight them on the chandelier.
The system currently uses UN Data GDP growth rate, USEIA Total Energy Consumption per capitaand Aquastat Total Renewable Water Resources per capita. Each of these data sets updates on an annual or quarterly basis. The team wrote a series of python scripts that process the data and colour an SVG map of world to match a normalized value for each set. An openFrameworks app loads these maps and uses the data to drive a series of animations. Each animation is unique to the data set and attempts to resemble the underlying data: water feels like rain drops, energy pulses, and GDP grows. There are also visual modes that let researches at CSIS select specific regions of the world to highlight – either to show conflict, or to show progress — John Rothenberg of SoSo Limited explains to CAN. Finally, the oF app outputs DMX to a series of DMX dimmer boards that control the light fixtures. Each pendant lights contains an MR-11 LED bulb that becomes a pixel in the display. “ from Creative Applications
Linking places. Creating passage with ‘unconventional’ materials. Experiencing unforgettable journey. Changing the perception of a space.
” Although the Tape Installation is conceived as a kind of parasite, site specific object located at places like old attic, columns of a historical building, group of tries or an industrial concrete structure, due to location change of DMY a custom scaffolding construction had to be made. Therefore the installation appeared more like a captured UFO on the old Tempelhof Airport and less like a cocoon.
The installation was executed within four days (approximately 160 working hours) utilizing almost 700 conventional transparent tapes (45 km of tape). The tendons of multiple layers of transparent adhesive tape are firstly stretched in between a construction. The following continuous wrapping of tendons results in a complex, amorphous surface through the process reminiscent of growing of organic forms.
The idea for the installation originates in a set design concept for a dance performance in which the form evolves from the movement of the dancers between the pillars. The dancers are stretching the tape while they move, so the resulting shape is a (tape) recording of the choreography. ” From Dezeen
Very interesting way to mix reality and virtuality
– reality and physical intervention are so powerful.
– how is it to be stuck between 2 worlds ?
– challenging perception
” Created by Simon de Diesbach at ECAL with the support from Alain Bellet, Gael Hugo, and Christophe Guignard, OccultUs is an installation that exploits the potential of the Oculus Rift technology by immersing the user into a sensory experience that mixes two distinct realities, physical and simulated.
The installation includes a collection of “abstract machines” designed to enhance the experience. What at first may seem like an uncomfortable scenario, user being seated in the centre of the unknown, the minimal virtual world takes over bringing the strange machinery to life, activated by the user’s gaze and creating a dynamic interplay between the virtual and the surrounding physical animations.
Users find themselves at the core of a hybrid space, where images and sound, though originating in heterogeneous realities, coincide. Stuck between two worlds, their perception is challenged. The OccultUs experience requests users’ participation in a double way: as the leading actor of the piece, but also as an integral part of it by becoming the object of other spectators’ attention.
Another interest element in the project is the physical abstraction of sound. Whilst there may have been more obvious choices behind how the sound is generated, their visual appearance if primarily driven by their function in virtual space. This raises many questions about how we may begin designing physical objects that complement and connect to our virtual experiences rather than the other way around. Traditionally we have sampled real life sounds to produce the digitally enhanced or manipulated. In this reverse scenario, we are using the real-world generated sounds to enhance the alternate reality.
OccultUs is a young project. The number of machines is limited for now. However, Simon’s objective is to increase their number and hence the diversity of sounds, in order to give a larger dimension to the experience. ”
“Between Forms of Representation and Interpretation” by Andres Ramirez Gaviria.
An artistic data visualization & sonification installation that translates, encodes & visualizes the textual description of the project in a series of immersive light & sound patterns. the installation consists of a multi-segmented plexiglass grid with 480 LEDs, mounted from the ceiling of an exhibition hall. each individual light turns on or off at different intervals in a pre-programmed order determined on the textual dataset.