Category: Data

Design Informatics Pavilion Facelift

Pavilion part of the Edinburgh Art Festival and the Fringe with the Future Play Festival.
Freelance for Design Informatics
Edinburgh, Scotland 2017
In 2016, The Design Informatics Pavilion was designed by Biomorphis, an Edinburgh-based architecture practice led by Pierre Forissier. Interested in how digital technology can be efficiently used to design an affordable modular structure, Biomorphis developed an algorithm to test and generate different cellular divisions to form a self supporting lightweight building envelope. For this 2017 edition I have been employed to give it a facelift, inspired by the 70 years anniversary of the Edinburgh Festivals starting from the launch of the first festivals in 1947 to 2017,  by the Design Informatics research topics and data from Edinburgh.

Pictures of the Pavilion by YUXI LIU

The graphs painted on the pavilion give the local context in which the festivals and Design informatics are taking place: the top line graph represents rainfall in Edinburgh in August in 5 year periods between 1947-2017. The bottom of the pavilion represents the elevations of Edinburgh during a walk through the cities most popular venues so starting on George Street and going to the Castle, the Meadows, The pleasance etc.

Then, the idea was to situate the history of the festivals in an international context, represented by technological breakthrough: each panel of the pavilion represents 5 years, creating a time line where icons (vinyls on acrylic) representing carefully chosen innovations, as well as some of Edinburgh festivals. Moreover, it established a link to Design Informatics, where students are trained and researcher worked on developing tomorrow innovations.

The pavilion become a time travel vessel: the outside is displaying the past of innovations, leading to the inside with the exhibition where you can imagine what the future might look like.

To realise this project, I worked in collaboration with Sigrid Schmeisser, to designed the icons. She realised the exhibition graphics, panels and brochure.


I created a poster for James McCallum, who broke the record for riding the North Coast 500 non-stop, back in June. It’s a 516 mile route which takes you round the very north of scotland starting and stopping in Inverness. He broke the record by 7 hours. He completed the ride in under 31 hours spending only just under 29 hours in the saddle, riding through the night, raising over £15000 in the process in aid of thrombosis UK (more about the exploit here).

I have been commissioned to create a print to commemorate this achievement and using the huge amount of data collected along the way (power numbers, speed, gradient’s etc…). Ultimately they wanted “something that looks visually simple, that tells the story of an epic journey but that when you stare a little bit longer there is some hidden detail” Gareth Edwards.

I used the route codified with colour gradient corresponding to the average speed speed, almost like a heat map. Along the route I symbolised the elevation and the time stamps and time of the day, while using grey scale on the route to represent when he rode in darkness. I used the colours scheme from their promotional website Ride for Charlene.



It has been more than a month that I finished my dissertation. But better later than never…

Here is the abstract and you can click on the cover bellow to access it.

Screen Shot 2015-09-11 at 15.18.23By obfuscating what western human being take for granted, such as the knowledge offered to us by maps, clocks, or more recently electronic de- vices, my research aims to reveal how technology fails to give us the ‘god’s eye view’ that it promises. This dissertation presents three of my projects: MyMap, Circadian Clock and SAAD, which encourage people to reflect on how we might overcome the challenges that modern technology puts in front of us, in order to reconnect with others and nature.
This dissertation explores the concept of borders; physical, symbolic, invis- ible or psychological, which I would argue are partly responsible for ‘dim- ming’ our perspective of the world. The research and projects, allowed me to develop the concept of ‘Design Geography’, which I define as the prac- tice to mediate the value of human interaction with others and the natural environment, using design processes.



Another attempt to be omniscient. Do we have to be everywhere at all the time ? Do we want to be control in distance ? Or simply, do we want to be control more that we already are ? This project raise important question that we should think about while building our future and thinking about our actions and their impacts.


Omnipresenz is an online system in which you can guide the actions of a real human avatar located anywhere in the world. It’s the world’s first social innovation telepresence experience and its looking for support via indiegogo. It literally takes you to a distant place. Transport your eyes, ears, emotions and your decisions to interact with the real world through a human avatar that represents you anywhere in the world… Through Omnipresenz you can control the actions of a human avatar (teleguided person) located in a specific area of a big city around the world. This telepresent tourist makes an online audiovisual stream of all of that they see and hear from their point of view; similar to a first-person gaming experience. (description from creative applications)

Berlin Transmediale 2015

We spend with my master class of design informatics a week in Berlin attending the Transmediale festival. What do the futures of work, play and life look like through the black mirror of data? How will our quantified lives unfold? transmediale 2015 looks at how we make sense of a culture dependent on measurement and automation procedures, and how to act with autonomy within such a culture.

It has been a very inspiring week. I will share the notes I took during the festival as well as some projects which were the most inspiring for me or innovative.

This was our plan with Clément for the 3 days:

  • 1 opening ceremony
  • 1 concert @ Berghain
  • 1 screening
  • 5 conferences
  • 4 performances
  • 3 exhibitions



Notes and reflections


Keynote capture all_work
Judy Wacjcman
Puting life to work
Work is done in time
Capitalism: work in a periode of time = certain amout of money
Comercilisation of emotion
How we manage our time in today work with digital technilogy
Boudaries between work, personal life, sleep…
New technology promise to free our time ( do things simultaneously)
Technology changed the character of time
Synchronised activity  in unsynchronised society
Emails symbolic of work stress
Quality of life
Labour Technology and time


Play as a commons practical utopias and p2p futures
Ruth Catlow
Play Your Place – Creation of good life is the buisness of us all
Further field – Public space for exhibition
Platforn game good to think at Action and consequence
Make your game with your drawings
Make the world together – Play the web we want
Oposit to gamification
Back to the collective, is this really?
Ludic turn (used by neoliberal)
Open Source is a meritocracy, hacker is a benevolent dictator
Benefit still : fast non hierarchical production
PlayYourPlace : Game platform on Github
Gamification is a thin / dry layer over the world. Marketing tool
Stuck within templates stopped asking the right question
Higher potential, higher risk and reward to be be awarded by real world utopian games
When you play you leave/ are freed from pattern of behaviour
Free to act as you wish

Fascination for utopia – Utopian thinking
Alternative way of interaction – Game to make topic accessible
Art design and education – Novel senario even absurde
i am what i am
ykon game
Play act as aproach the world as if…. Reamigine
Have freedom to imagine how it could be different
It is not only possibility it is also danger when you propose alternative
Look for solutiom or provocation
Looking at solution can close debate
You can change your atitude
Ludification of culture: never before have people played as much as they do today
Partial utopia: realistic alternative possibility
DIWO do it with others


Keynote Capture All_Life
Byung-Chul Han
What is transparency – Transparency positive meaning before
New parendim
Fredom freewill autonomy
Power of the rule of like “smart power” is that it doesn’t impose, force itself on the user
It pleases, creating dependence
It’s hard to identify because it “just happens”

Discovery of AdNauseam
As online advertising is becoming more automatic, universal and unsanctioned, AdNauseam works to complete the cycle by automating all ad-clicks universally and blindly on behalf of the target audience. Working in coordination with Ad Block Plus, AdNauseam quietly clicks every blocked ad, registering a visit on the ad networks databases. As the data gathered shows an omnivorous click-stream, user profiling, targeting and surveillance becomes futile.

Appropriate and Accelerate – Art Under Algorithmic Pressure

Jennifer Lyn Morone
Jennifer Lyn Morone is an American born natural person who incorporated her identity by founding Jennifer Lyn Morone™Inc in 2014 during her time as an MA student at the Royal College of Art. Since then Jennifer Lyn Morone’s mission is to establish the value of an individual in a data-driven economy and Late Capitalist society, while investigating and exposing issues of privacy, transparency, intellectual property, corporate governance, and the enabling political and legal systems.



Jonas Lund (1984, Sweden) creates paintings, sculpture, photography and websites that incorporate data from his studies of art world trends and behaviour.
Very interesting talk when he question the way the art is valued.
For Curate This he use his curatorial rank algorithm to determine what works from the collection of multiples and editions of Galerie van Gelder would generate the biggest positive impact on his curatorial rank. Lund supplied Willers with detailed analysis on all the works in the collections and what influence they would have on his curatorial rank. Willers then consulted the list and made his final selection of works for the exhibition.




Another work he presented was Studio Practice. On his web site it is presented like that : he transformed the gallery into an art production line by hiring four assistants who will work full time during the gallery’s open hours throughout the run of his exhibition. Their task is to produce work inspired by the guidelines set out in a 300 page book that Lund created expressly for them. Once a work has been completed, it will be reviewed online by an advisory board consisting of artists, art advisors, gallerists and collectors. The board will assess the work so that Lund can better decide whether the work should be signed or destroyed. The entire process will be publicly accessible in the gallery space and on a dedicated website ( The website will include live footage of the gallery, assessments of the advisory board as well as Lund’s final decision and comments regarding specific works.



Clément appeared every two lines on the Stakhanov installation… quite weird and scary.

Presentation Stakhanov is the BigData Oracle of the new era. In the era of Data, Information and Knowledge, Stakhanov is the expression of our new global data-religion. Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future. Line-by-line, it emits its verdicts about what will be and that which won’t. This is the Word, coming from the Data-Above, in The Cloud. A playful neo-religious data-invasion of privacy, an exploration in false-hopes and in the ingenuity of contemporary determinism.


Erica Scourti – Body Scan
First I have been very impressed by her performance during the opening ceremony, then by her work in the exhibition space. I can’t really explained why I really like her work… I just found quite fascinating and very well executed. It must ask a lot of patience and hard work to perform like that.
Presentation A snapshot of mediated intimacy, Body Scan records through screenshots a process of photographing different parts of the artist’s body with an iphone similar image app that identifies visual information and links it to online data. At times assuming the instructive voice of a body scan meditation, the accompanying voiceover draws on the search results to convey relational uncertainties and sexual energies entangled with commodity descriptions. A game alone and between lovers turns skins into readable interfaces full of the potential for miscommunication, and signals connections between embodied, private experience and public, commercial data.


Silvio Lorusso & Sebastian Schmieg – Networked Optimization
Helping to realise how little we are actually reading, or in general what percent of information we memorise or assimilate. Simple great idea of data visualisation.


Presentation Networked Optimization is a series of three crowdsourced versions of popular self-help books. Each book contains the full text, which is however invisible, because it is set in white on a white background. The only text that remains readable consists of the so-called “popular highlights” – the passages that were underlined by many Kindle users – together with the amount of highlighters. Each time a passage is underlined, it is automatically stored in Amazon’s data centers.





Time and Motion: Redefining Working Life 

Oliver Walker – One Euro
Stunning idea to represent inequality, labour, value…

Presentation One Euro is a six channel video installation, with each channel depicting one person working. Each video lasts as long as it takes the person depicted to earn one Euro. The films vary in length from well over an hour for low paid agricultural workers; to their slightly higher paid counterparts in industry; via those on middle income wages; down to one minute, and with one film little over a second long. The films do not offer a narrative, but rather quite detached observations of people at work. It is not intended as a didactic essay on wage inequality, though it invites reflection on these staggering inequalities, and this political position is ultimately not left ambiguous. Whilst we often encounter information about inequality presented through text or graphics, here time is employed, making direct comparison more difficult. Ultimately the people on the screens are simply taking part in their everyday lives, and we see six people on six screens, side by side.


Ellie Harrison – Timelines
Beautifull visual of our daily routine. Very inspiring.

Presentation For almost five years Ellie Harrison documented and recorded information about nearly every aspect of her daily routine as part of her artistic practice. These laborious, demanding and introverted processes grew ever more extreme until she devised the ultimate challenge in 2006 for Timelines – to attempt to document everything she did, 24 hours a day, for four weeks. The Timelines project was motivated by Ellie’s overwhelming feeling that she was ‘always at work’, it was to be an empirical study – monitoring exactly where all her time was going – to find out whether this was indeed true. What had seemed like a simple proposition quickly became an all-consuming ritual in which she was forced to take on the dual role of ‘observer’ and ‘observed’. On the first day she confessed that ‘It was horrible feeling so trapped – I couldn’t do anything without generating and accumulating data’, and so she rationalised the experiment by categorising her time into 17 possible activities such as ‘art practice’, ‘domestic work’ or ‘leisure’. Each day the data was transferred onto an expansive spreadsheet. By the end of the four weeks it contained 2,297 entries, which were then transposed into a series of 28 colour-coded timelines.


Tuur Van Balen & Revital Cohen – 75 Watt
Intriguing at first, then beautiful and after reading the explanation it all made sense.


Presentation A product is designed especially to be made in China. The object’s only function is to choreograph a dance performed by the labourers manufacturing it. The work seeks to explore the nature of mass-manufacturing products on various scales; from the geo-political context of hyper-fragmented labour to the bio-political condition of the human body on the assembly line. Engineering logic has reduced the factory labourer to a man-machine, through scientific management of every single movement. By shifting the purpose of the labourer’s actions from the efficient production of objects to the performance of choreographed acts, mechanical movement is reinterpreted into dance. What is the value of this artefact that only exists to support the performance of its own creation? And as the product dictates the movement, does it become the subject, rendering the worker the object? The assembly/dance took place in Zhongshan, China between 10-19 March 2013 and resulted in 40 objects and a film documenting the choreography of their assembly.




The Pirate Cinema
It was great. A bit overwhelming in term of chaotic sounds but the idea is brilliant and well executed.

Presentation The hidden activity and geography of real-time peer-to-peer file sharing via BitTorrent is revealed in The Pirate Cinema, a live performance by Nicolas Maigret and Brendan Howell. In their monitoring room, omnipresent telecommunications surveillance gains a global face, as the artists plunder the core of restless activity online, revealing how visual media is consumed and disseminated across the globe. Each act of this live work produces an arbitrary mash-up of the BitTorrent files being exchanged, in real time, in a specific media category, including music, audio books, movies, porn, documentaries, video games and more. These fragmentary contents in transit are browsed by the artist, transforming BitTorrent network users (unknown to them) into contributors to the audio-visual composition that is The Pirate Cinema.

Citation City
It was AMAZING. An incredible work of very clever references. The sound track mixing live was perfect and same full of references. I would watch it again , because I am sure that there is some great moment you miss when you look at it once. I recommended ++++.

Presentation: A world premiere of the new audovisual performance of renowned collage artist People Like Us (Vicki Bennett). The project is a further development of the artist’s database approach to cinema, deconstructing cinematic clichés and representations into unique associative and playful narratives. Citation City sources, collage and edits 300 major feature films where content is either filmed or set in London – creating a story within a story, of the film world, living its life, through extraordinary times of change, to see what happens when these multiple narratives are combined… what will the story tell us that one story alone could never tell? Inspired by The Arcades Project by Walter Benjamin, this audiovisual performance is created from 1000s of clippings of text and visual media, collaged using a system of “convolutes”, collated around subjects of key motifs, historical figures, social types, cultural objects from the time. By gathering and assembling such groups of similar yet unrelated, he revealed a hidden, magical encyclopaedia of affinities, a massive and labyrinthine architecture of a collective dream city. In the live performance a series of story lines (convolutes) sit side by side with a soundtrack sourced both from the movie content, as well as new sample compositions thematically related to the visual content. 

Robin Fox & Atom TM “Double Vision”
It was like seeing the sound in 3D infront of our eyes. Magical. The ceiling was transformed into a sky thanks to the laser and the smoke.

Interview of Robin Fox & Atom TM HERE

Data all around us

These thoughts come up from a discussion I had with a friend who pointed out that there is a atomic clock based in Germany, which is sending the exact time at +/- 1 sec in 1 million years. The signals is with the DCF-77 (77,5 kHz) frequency, 1.5000km around Francfort. It means that if we are in this perimeter, we have the time all around us.

A already pointed out these question on a previous post (Looking @ to be disconnected). And the fact that we are surrounded by data, transported by radio waves, wifi, cellular waves… I was already interested in making the ‘invisible’, ‘visible’. Since I found some projects who manages to do so.


  • CPD_2007_03The oldest one is Cell Phone Disco by Ursula Lavrencic & Auke Touwslager – 2006. It is a surface that visualizes the electromagnetic field of an active mobile phone. Several thousand lights illuminate when you make or receive a phone call in the vicinity of the installation. Cell Phone Disco makes an invisible property of the environment perceptible to our senses. It reveals the communicating body of the mobile phone. Their fascination lies with the transmission quality of the mobile phone; its presence beyond the shell of the device.



  • An other one, Digital Ethereal by Luis Hernan – 2014 is a system which scans for wireless networks and creates images where different signal strengths are represented by different coloured LED lights. The results, allow us to see the WiFi around us. He said : “I believe our interaction with this landscape of electromagnetic signals, described by Antony Dunne as Hertzian Space, can be characterised in the same terms as that with ghosts and spectra. They both are paradoxical entities, whose untypical substance allows them to be an invisible presence. In the same way, they undergo a process of gradual substantiation to become temporarily available to perception. Finally, they both haunt us.” His studies blend photography, design, performance, installation art, programming and electronics to explore not only the world of invisible internet signals, but also “the cultural and social complexity imbued in the use of such technologies.”


  • Finally, Visualizing Wifi how far does a WiFi network actually reach and what would it look like? How come we can have reception in one spot and not in another? the team answer just such a question by creating visual representations of actual Wifi networks to spectacular effect. Utilizing long-exposure photography and a four-metre long measuring rod with 80 LED light points they were able to “reveal” cross-sections in wireless networks.


 Explanation of the atomic clock  in French from Oregon Scientific BeNeLux

L’heure radio-pilotée est basée sur une horloge atomique à jet de césium, exploitée par le “Physikalisch Technische Bundesanstalt” (l’institut fédéral allemand de physique) de Braunschweig en Allemagne, dont l’exactitude est, selon les calculs, de l’ordre de +/- 1 seconde en 1 million d’années.

L’heure est codée et transmise depuis Mainflingen près de Francfort par l’intermédiaire de signaux de fréquence DCF-77 (77,5 kHz), dont la portée est un rayon d’environ 1.500km autour de Francfort. C’est-à-dire que l’émission radio de l’antenne de Francfort couvre l’Europe de Copenhague à Barcelone, Milan, Budapest.

L’appareil – réveil, horloge, station de températures, station météo… – se met automatiquement à scanner les signaux de fréquence DCF-77 dès que les piles ont été installées. Dans le rayon de réception standard et dans un environnement normal, loin d’éventuelles sources d’interférences, les signaux sont reçus en 3 à 5 minutes. Concrètement, cela signifie que grâce au radio-pilotage, un appareil radio-piloté sera toujours à l’heure au millième de secondes près.